'Music 1306\r'

'MUSI 1306 Study Guide- ordinal-Century & adenylic acid;amp; Non-Western medication The part on twentieth- speed of light euphony provide involve chapters 1-8, 15-17. Chapters 1-3 lead be utilized for the discussion of Non-Western harmony. It will be necessary to learning these chapters, as well as the listening examples contained within, to achieve safe comprehension of these sections. Twentieth-Century Overview (Chapter 1) Within the music of the twentieth century stinkpot be seen influences of folk and fashionable music, Asian and Afri foundation music, and europiuman art music from the middle Ages through with(predicate) the nineteenth century.The oral exam sex parameters of music †tone color, harmony, tonality, rhythm, and lineage †undergo vast changes in relation to the music of in front periods. New musical theater innovations in this period accept the prominence of the percussion section, new ways of playing conventional instruments, poly agrees, fourth chords, tone clusters, polytonality, bitonality, atonality, and polyrhythms. (Chapt. 2) During the twentieth century, radio, television, and recordings had a direct impact on the listening habits of the public. Various institutions on a regular basis commissioned new music.These take: b altogetheret and opera companies, foundations, orchestras, performers, remove studios, and wealthy music lovers. to a fault impacting the direction of Twentieth-Century music was the exile of many famous composers to the united States because of World War II, the far-flung dissemination of Ameri washbowl live and popular music, and the role of universities in nourishing new music. (Chapters 3 & 4) 2 tasty causal agencys that were to have their musical counterparts in the crap of Claude Debussy were impressionist painting and symbolist poetry. The painters Monet, Renoir, and Pissarro pay off the impressionist movement in painting.Symbolist poetry is represented by M anyarme , Verlaine, and Rimbaud. Debussy was influenced by Wagner and Asian music, and he achieved many artistic successes and underwent individualized tragedies during the course of his occupational group and his emotional state in general. (Chapt. 5) Neoclassicism is aptly describe as an artistic movement that emphasizes emotional restraint, balance, and clarity. Neo perfect composers utilise musical forms and rhetorical elements of before periods, particularly of the eighteenth century. Neoclassicism too reflects a reaction against love story and impressionism.Major contributions, outside of music, to the neo untarnished zeal argon the poems of T. S. Eliot and the paintings of Pablo Picasso. (Chapt. 6) Stravinsky’s career is typically traced from his early historic period in St. Petersburg, his studies under Rimsky-Korsakov, to his breakthrough by Sergei Diaghilev. The impact of the concert dance Russe on the entire ethnical scene in Europe from 1909 to 1929, the success of Stravinsky’s triad â€Å"Russian” ballets, including the famous 1913 riot, and his increment as the twentieth century’s most noted composer are also trail topics of discussion. Chapt. 7) Expressionism is defined as an artistic movement that â€Å"stressed intense, subjective emotion. ” The movement is related to Freud’s work with hysteria and the unconscious, and arse be seen as a German reaction to french impressionism (Chapt. 8) Arnold Schoenberg, in his early geezerhood, can be seen as a musical autodidact. His artistic promotion from the late romantic movement of his earliest music through the atonal deeds to the development of his twelve-tone system, are crucial to the perceptiveness of future musical developments. Chapt. 15) Aaron Copland’s life spans from his early years in Brooklyn, his period of arena in France, and his cultivation of the bed idiom for a hardly a(prenominal) years on his accrue to the United Sta tes. Copland’s whole works undergo distinct stylistic changes, including jazz and twelve-tone styles. Among his better-known works today are the ballet Appalachian Spring, and this chapter contains a comprehend Outline for the seventh section, the physical composition and variations on Simple Gifts. (Chapt. 16) at that place have been distinct changes in musical styles since 1945.Among these are the increase use of the twelve-tone system, the g gradeth of serial music and its applications to musical parameters other than pitch, fall out music, minimalist music, musical quotation, the double back to tonality, electronic music, the â€Å"liberation of sound,” involved media, and new concepts of rhythm and form. (Chapt. 17) nearly of the more than modern innovations since 1945 can be seen in twain of many strategic contemporaneous composers, and their representative compositions: Edgard Varese ( metrical compositione electronique), backside Adams (Short loos en in a profuse Machine). Twentieth Century earreach Claude Debussy Prelude to The Afternoon of a FaunIgor StravinskyThe Rite of Spring: cave in I, Introduction Arnold Schoenberg A subsister from Warsaw, Op. 46 Aaron CoplandAppalachian Spring: groundwork and Variations on Simple Gifts Edgard VareseElectronic Poem: Opening Segment John AdamsShort Ride in a Fast Machine Twentieth Century Terms glissandopolychordfourth chord tone clusterpolytonalitybitonality atonalitypolyrhythmostinato impressionismpentatonic scalewhole-tone scale neoclassicismprimitivismexpressionism Sprechstimmetwelve-tone systemtone row; set; series serialismminimalist music chance music; aleatory music quotation musicmicrotonesNon-Western Music Overview (Chapt. 1) While nonwestern music reflects the variation of the world’s mixer and economic systems, languages, religions, and geographical conditions, there are some features car park to most musical traditions. A distinction can be drawn mingled with the paw tradition of European cultures and the oral tradition of nonwestern music. Also important are improvisational traditions and vocal techniques. In nonwestern music, melody, rhythm, and texture in crease to harmony and polyphony, and the interaction between nonwestern and western music, are all important topics. Chapt. 2) The African innocent can be split into two large geographical areas, and this chapter focuses on the music of the countries on a lower floor the Sahara Desert. Topics of discussion also include: the place of music in society, permeating virtually all aspects of African life, some of the more important instrument types and ensembles, including the mbira and â€Å" public lecture drums,” and African texture, vocal techniques, and functioning practices. A representative work described in this chapter is Ompeh, a song from gold coast. (Chapt. 3)A brief great deal of music and musicians in India typically focuses on the elements of Indian classic al music. The melodic and rhythmic structures (ragas and talas), and the comprise identification of the roles of typical Indian instruments, such as the sitar, tabla, and tambura, are also crucial topics in the understanding of music from this region. Ravi Shankar’s Maru-Bihag is representative of Indian classical music. Non-Western Listening Song from Ghana Ompeh Ravi Shankar Maru-Bihag Non-Western Terms membranophonechordophoneaerophone idiophoneheterphonycall and response tamburaragatala sitartabla\r\n'