Compare the representations of Frankenstein Essay

Comp are the representations of Frankenstein in Branaghs bloody shame Shelleys Frankenstein and the 1931 film Frankenstein directed by James Whale Language- 1931 television camera   Close ups are not used on Frankenstein as Branagh wants pack to wonder what he looks handle. There are lots of pans to show the circuit and the people there.  There is a close up on the junkies devote when it is twitching. There arent many edits which brings it boring and not very interesting. extend   Diegetic telephone is the machines, Frankenstein shouting, noise of the monster being taken up.Non-diegetic sound is the bellow there is no music at all(prenominal) in the extract. Mise-en-scene   enthalpy Frankenstein is wearing a lab coat/straight jacket, which gives the impression that he is crazy.  He has slicked back hair using hair oil.  The performing flair is very over the devolve, like theatrical acting. Frankenstein is side lit, to make him look panicky and ho rrified.  Overall the ignitoring is mostly by top on the loose(p)s and sometimes the lightening. 1994 Camera   There are lots of frantic zooms, pans and similarly up and down shots, which makes the audience intimidated.The camera follows Frankenstein and shows his emotions/feelings.  The edits are very libertine and unnoticeable, using cuts and jump cuts.  By making the editing quicker, this builds up the tension. large(p)   Diegetic sound are the chains, machines moving, bangs, slots into the body, the electricity sparks and also Frankensteins voice and movements.  Non diegetic sound is the striking theme music, building up to create to a greater extent more(prenominal) tension. Mise-en-scene   Victor Frankenstein is dressed in trousers but with no top. However the monster is naked.Frankensteins hair is shoulder length, which is very messy and sweaty. The acting musical mode is exciting and energetic but not mad.  Frankenstein is mainly lit on his stop number body.  There are lots of side lights and candle light, nonetheless the room looks dark. Institutions 1931  In black and white.  Universal studios made the film, as they k vernal abomination would be a big money spinner.  It was voted one of the best films of the class by New York Times. 1994  It wasnt as brand new as it was in 1931, as in 1994 many horror films had been out.The technology was some(prenominal) more advanced and a lot had changed from 1931, new ideas and there was a new effect on people. Audience 1931 The big actor, Boris Karloff was used to gain the audiences.  People in 1931 were different to 1994, as it was all fresh and new to them.  Cinema was a get away for people.  Frankenstein was a big horror, and scared the audiences of its day.  The monster, which was thought as Frankenstein became a big horror icon, with a make up brow and a bolt through his neck. 1994Kenneth Branagh and Robert de Niro were u sed to pull back audiences. Horror films were the norm to people in 1994. They were a lot more sophisticated.  Money was much more wide-spread in 1994 but wasnt as much in 1931. Representation 1931 Frankenstein was dressed very much like a man in 1931.  His movements, delivery of the lines and his acting style is all over the top, like in the way of a theatre play. The light is normally based on the monster and when its on Frankenstein, the light would be on his upper body.The 1931 film changes Frankensteins name to Henry, quite a than Victor The audience are supposed to react to Frankenstein in a scary way and that he comes across very mad. 1994  Frankenstein dresses and looks very much like a man of the time that the novel was written.  His movements and acting style is energetic and exciting however doesnt come across at all mad. The light is mainly based on Frankensteins upper body the rest of the room is very dark.  The music interprets Frankenstein very well, as he is running around being busy.The music is a fast, dramatic orchestra. Frankensteins name stays the same as the novel, which is Victor.  The audience are supposed to think that Frankenstein is very involved with his work and wants to get it do to see the result.